A Note from the Director: Set in the late 50s, written in the 70s, and continually revived in the decades since then, Grease is considered by many to be a timeless classic. It's a story of camaraderie, of challenging the status quo and being true to oneself. Grease Script Remainder A. Add to Favourites. By ToonFanJoey Watch. Johnny Casino got to the end vocals of the song, as the Gamblers added rhythmic clapping sounds at some points of the song. Blanche, who was very close to the band, felt awestruck and love-struck by this. Marty shook her hips to the last three notes of the song,. Grease (1978) Full Cast & Crew. Directed by (1) Writing credits (4) Cast (74) Produced by (3) Cinematography by (1) Film Editing by (1) Casting By (1). Script and Continuity Department (1) Transportation Department (3) Additional Crew (12) Thanks (4) See agents for this cast & crew on IMDbPro Get the IMDb App.

a '50s Rock 'n' Roll musical in 2 acts, 15 scenes: Book, Music and Lyrics by Jim Jacobs and Warren Casey

Broadhurst Theatre, Broadway - 14 February, 1972 (3388 perfs)
Produced at the New London Theatre 1973
Revived at the London Astoria 1979 (124 perfs)

Synopsis

Rydell High's spirited class of '59-gum-chewing, hub-cap-stealing, hotrod-loving boys with D.A.s and leatherjackets and their wise-cracking girls in teased curls, bobby sox, and pedal pushers-capture the look and sound of the 1950s in a rollicking musical that salutes the rock 'n' roll era. While hip Danny Zuke and wholesome Sandy Dumbrowski resolve the problems of their mutual attraction for each other, the gang sings and dances its way through such nostalgic scenes as the pyjama party, the prom, the burger palace, and the drive-in movie.

Grease Script Remainder A. Add to Favourites. On stage, Johnny Casino and the Gamblers were setting up and tuning up. The band was made of a guitar, bass, sax.

• 'A lively and funny musical-as well as the dancingest one in town-that brings back the look and sound of the teenage world of the late 1950s with glee. It's a winner... The songs... are dandies [that portray] the early rockers ... with zip and charm .... The sheer energy of Grease carries all before it.' New York Daily News

Story

Grease is a class reunion flashback to the 'days that were' in the fabulous fifties.

Miss Lynch, still the old-maid English teacher, and the high achievers of the class, Patty Simcox and Eugene Florcyk, are presiding at the head table once again, but the Greasers and all the gang are back in the '50's reliving their hell-raising days at Rydell High.

Kenickie, Roger, Sonny, and the group are pressing Danny about his 'hot' summer. Concealing the fact that he met a girl he really cared about and didn't score at all, he leads them on.

Rizzo, the tough-talking leader of the Pink Ladies, joins with other members (Frenchy, Marty, and Jan) in meeting Sandy Dumbrowski, a perfect Sandra Dee, girl-next-door type. As it turns out, Sandy was Danny's summer love.

When Rizzo forces a confrontation, Danny plays the 'big deal' for his peers rather than show the tenderness he shared with Sandy last summer. Sandy is confused and hurt by his strange behavior.

At a pyjama party Sandy tried to get into the groove with the other Pink Ladies but gets sick. Rizzo mocks Sandy and splits to join the boys.

Kenickie and the guys customize 'Greased Lightnin',' a fouron-the-floor hot rod, guaranteed to snag any girl.

Sandy, still puzzled about Danny, becomes a cheerleader. Danny longs for Sandy but doesn't know how to approach her. It's time for the school dance, a special event to be hosted by Vince Fontaine, the nationally known D.J. There is a dance contest won by Danny and Cha-Cha, an obviously loose lady who seems to drive the final wedge between Danny and Sandy. Frenchy becomes a beauty-school dropout, encounters her teen angel, then flunks out. Rizzo confides that her period is late, and word spreads that she is knocked up. Danny and Sandy are briefly united, but he makes a pass at the drive-in and Sandy walks home.

On second thought, she turns to the girls for help and becomes a greaser's dream girl. Danny is knocked out. Frenchy is back in school and Rizzo is not P.G. Everyone is back together to rock 'n' roll happily ever after.

Cast

• DANNY: - The leader of the 'Burger Palace Boys.' Well-built, nice looking, with an air of cool easy-going charm. Strong and confident.
• SANDY: - Danny's love interest. Sweet, wholesome, naive, cute, like Sandra Dee of the 'Gidget' movies.
• THE 'PINK LADIES' - (The club-jacketed, gum-chewing, hip-swing ing girls' gang that hangs around with the 'Burger Palace Boys')
• RIZZO: - Leader of the Pink Ladies. She is tough, sarcastic and outspoken but vulnerable: Thin, Italian, with unconventional good looks.
• FRENCHY: - A dreamer. Good-natured and dumb. Heavily made-up, fussy about her appearance-particularly her hair. She can't wait to finish high school so she can be a beautician.
• MARTY: - The 'beauty' of the Pink Ladies. Pretty, looks older than the other girls, but betrays her real age when she opens her mouth. Tries to act sophisticated.
• JAN: - Chubby, compulsive eater. Loud and pushy with the girls, but shy with boys.
• THE 'BURGER PALACE BOYS' - (A super-cool, D.A.-haired, hard-looking group of high school wheeler-dealers . . . or so they think)
• KENICKIE: - Second-in-command of the Burger Palace Boys. Tough-looking, tattooed, surly, avoids any show of softness. Has an off-beat sense of humour.
• DOODY: - Youngest of the guys. Small, boyish, open, with a disarming smile and a hero-worshipping attitude toward the other guys. He also plays the guitar.
• ROGER: - The 'anything-for-a-laugh' stocky type. Full of mischief, half-baked schemes and ideas. A clown who enjoys putting other people on.
• SONNY: - Italian-looking, with shiny black hair and dark oily skin. A braggart and wheeler-dealer who thinks he's a real ladykiller.
• PATTY: - A typical cheerleader at a middle-class American public high school. Attractive and athletic. Aggressive, sure of -herself, given to bursts of disconcerting enthusiasm. Catty, but in an All-American Girl sort of way. She can also twirl a baton.
• CHA-CHA: - A blind date. Slovenly, loud-mouthed and homely. Takes pride in being 'the best dancer at St. Bernadette's.'
• EUGENE: - The class valedictorian. Physically awkward, with weak eyes and a highpitched voice. An apple-polisher, smug and pompous but gullible.
• VINCE FONTAINE: - A typical 'teen audience' radio disc jockey. Slick, egotistical, fast-talkinb A veteran 'greaser.'
• JOHNNY CASINO: - A 'greaser' student at Rydell who leads a rock 'n' roll band and likes to think of himself as a real rock 'n' roll idol.
• TEEN ANGEL: - A good-looking falsetto-voiced, Fabian-look-alike. A singer who would have caused girls to scream and riot back in 1958.
• MISS LYNCH: - An old maid English teacher.

For the Chorus

Two gangs, the Pink Ladies and the Burger Palace Boys are involved in twelve of the musical numbers.

Singing Principals

Sandy, Danny, Doody, Kenicke, Marty, Roger, Rizzio and Jan.

Other Principals

Frenchy, Jan, Sonny.

Johnny Casino Grease Script Song

Smaller Parts

Patty, Cha-Cha, Eugene, Vince Fontaine, Johnny Casino, Teen Angel, Miss Lynch.

Scenes and Setting

2 acts, 12 scenes. Unit set with various set pieces. The basic unit is a raised platform with metal stairways up to each side. Posters and ads create the mood of the period, plus rows of school lockers, brick walls, banners, graffiti.

ACT I

• Scene 1: Rydell High School Class of '59 Reunion
• Scene 2: The High School Cafeteria
• Scene 3: A Hallway in the High School
• Scene 4: Marty's Bedroom
• Scene 5: A Street
• Scene 6: Cheerleader Practice
• Scene 7: A Deserted Section of the Park

ACT II

• Scene 1: The High School Hop
• Scene 2: Outside the Burger Palace
• Scene 3: The Twi-Light Drive-In
• Scene 4: Jan's Basement
• Scene 5: Inside the Burger Palace

Musical Numbers:

1. All Choked Up - Sandy and Danny, Pink Ladies & Burger Palace Boys
2. Alma Mater - Miss Lynch, Patty & Eugene
3. Alma Mater Parody - Pink Ladies, Burger Palace Boys
4. Alone at a drive-in Movie - Danny & Burger Palace Boys
5. Beauty School Dropout - Teen Angel, Frenchy and Choir
6. Born To Hand-Jive - Johnny Casino and Company
7. Freddy My Love - Marty & Pink Ladies
8. Greased Lightnin' - Kenickie & Burger Palace Boys
9. It's Raining on Prom Night.. - Sandy
10. Look at Me I'm Sandra Dee - Rizzo
11. Moonin' - Roger and Jan
12. Rock 'n' Roll Party Queen - Doody and Roger
13. Shakin' At the High School Hop - Entire Company
14. Summer Nights - Sandy & Danny, Pink Ladies, Burger Palace Boys
15. Those Magic Changes - Doody, Burger Palace Boys & Pink Ladies
16. There Are Worst Things I Could Do - Rizzo
17. We Go Together - Pink Ladies and Burger Palace Boys

Orchestration

1 Bass, 1 Reeds (Tenor Saxes 1 & 2), 1 Drum, 1 Guitar 1 & 2

Period and Costumes:

• The '50s. All the stereotyped outfits: matron school teacher dress and sweater, full 'poodle' skirts, bobby socks, saddle oxfords, pastel blouses, 'Pink Lady' pink windbreaker jackets, pedal pushers, muu-muus, fuzzy slippers, school sweaters and slacks for 'straights,' pegged pants, white T-shirts, black leather jackets, baggy gymsuit, cheerleader outfit, crinolines, high school formals, skinny neckties, boy dress-up pegged slacks and loud sports jackets, jogging suit, white Fabian sweather, white chinos, white boots, white plastic dropcloth sheets for beauty school girls.

Choreography:

Johnny Casino Grease

• Rock`n'roll, jazz, twist, cha-cha, 'slow' dancing.

Lighting and Special Effects:

• General lighting, mirror ball for prom.

NB: Grease is a creampuff of nostalgia that works best for those who grew up in the '50s. The second act ending is weak. The movie version solved this problem by reprising several songs. The movie is available on videotape and discs.

Listen to the Music (You will need to have Real Player installed and Java Script enabled - Real Player can be downloaded from here also)

NB: This title is on limited release: -please enquire before commencing rehearsals

Original Broadway Cast, 1972 (MGM/Polydor) (4 / 5) Those who know Grease only from its inexplicably popular, sophomoric film version or the pumped-up, wrongheaded 1994 Broadway revisal will be surprised the first time they hear this album. As first seen Off-Broadway and then on Broadway after a run in Chicago, the show was an affectionate little musical about the teenage lifestyle of the late 1950s — when rock and roll was aborning, the cool boys sported heavily gelled hair and motorcycle jackets, and their girls favored beehive hairdos and pedal pushers. The original Broadway production was the long-run champ for a time, racking up 3,338 performances before it closed in 1980. With book, music, and lyrics by Jim Jacobs and Warren Casey, Grease skillfully walks the line between parody and hommage. The melodies, rhythms, harmonies, and arrangements of the songs are clever knockoffs of popular ’50s hits, very catchy and buoyed by some clever lyrics. (Example, from “Freddy, My Love”: “I treasure every giftie / The ring was really nifty / You said it cost you fifty / So you’re thrifty / I don’t mind.”) Other highlights include “Summer Nights,” which amusingly presents a boy’s and a girl’s different descriptions of their summer romance; the infectious “Magic Changes,” sung by a kid who’s thrown himself wholeheartedly into guitar lessons; “It’s Raining on Prom Night,” an oddly touching, funny lament over a lost high-school love (sample lyric: “I don’t even have my corsage, oh gee / It fell down a sewer with my sister’s I.D.”); and “We Go Together,” a bouncy anthem of teenage unity. The score does contain one serious number, and it’s a good one: “There Are Worse Things I Could Do,” sung by Rizzo, whose outward toughness masks her vulnerability. Adrienne Barbeau gives the song a moving, well sung performance. Barry Bostwick is terrific as lead greaser Danny, and Carole Demas sounds just right as Danny’s sweet girlfriend, Sandy. Among the other standouts in the cast are Katie Hanley, Walter Bobbie, and Kathi Moss. — Michael Portantiere

Film Soundtrack, 1978 (Polydor) (1 / 5) The first cut on this album, a new title song (there was none in the stage show), cues you into the silly, anachronistic style of the film version of Grease. It’s a disco number, of all things, written by Barry Gibb of the Bee Gees and sung by Frankie Valli. (Although Grease is set in the late 1950s, director Randal Kleiser and colleagues apparently thought it necessary to add a disco song to the score, simply because that type of music was so popular when the film was made.) Other additions to the song stack aren’t as objectionable. Louis St. Louis wrote “Sandy,” a new lost-love song for Danny (John Travolta) that’s okay but not as much fun as “Alone at a Drive-In Movie,” the Jacobs-Casey song it replaced. John Farrar contributed “Hopelessly Devoted to You,” a pretty ballad for Sandy (Olivia Newton-John); and “You’re the One That I Want,” a Sandy-Danny duet that’s catchy but also sounds out of period despite the “oo-oo-oos” in the chorus. In Rizzo’s songs, Stockard Channing resorts to vocal mugging and over-inflection; it seems she has a fine singing voice, but doesn’t trust it. On the other hand, a plus for both the movie and the album is Frankie Avalon’s performance of “Beauty School Dropout.” Note that “Greased Lightnin'” is led here by Danny rather than Kenickie, presumably to give Travolta another showcase song. Also note that some numbers in the show score, such as “Those Magic Changes” and “It’s Raining on Prom Night,” are performed on the soundtrack album by various artists but aren’t actually included in the film, or are heard only as background music. — M.P.

Johnny Casino Grease Script Pastebin

Original London Cast, 1993 (Epic) (2 / 5) Producer Robert Stigwood interpolated the songs that were written expressly for the Grease film into his London staging of the musical. The anachronistic title number, sung here by the full company, still rankles, but other, more innocuous songs from the movie are well performed. Deborah Gibson is perfect for the role of Sandy, and Craig McLachlan is right-on as Danny. As Rizzo, Sally Ann Triplett overplays “Look at Me, I’m Sandra Dee” (and mispronounces Troy Donahue’s last name) but does a fine job with “There Are Worse Things I Could Do.” Charlotte Avery offers a regrettable Marilyn Monroe impersonation in “Freddy, My Love.” Of the others, Shane Richie’s Kenickie and John Combe’s Doody are especially commendable. — M.P.

Grease Johnny Casino

Broadway Cast, 1994 (RCA) (2 / 5) The nonsensical addition of an exclamation point to the show’s title is emblematic of how overblown this production of Grease! was. The vocals of Sam Harris and Billy Porter in (respectively) “Those Magic Changes” and “Beauty School Dropout” are the clearest examples of the show’s exaggerations; both men have amazing voices, but they perform these numbers as super-aggressive power ballads rather than the charming songs they used to be. As Rizzo, Rosie O’Donnell sounds good in “Look at Me, I’m Sandra Dee” but not good in “There Are Worse Things I Could Do.” Ricky Paull [sic} Goldin and Susan Wood are fairly nondescript as Danny and Sandy, but on the credit side, Megan Mullaly is a hoot in Marty’s “Freddy, My Love.” Producers Barry and Fran Weissler couldn’t get the rights to the new songs that were written for the movie of Grease, so the track list of this recording is similar to that of the original Broadway album — except that the old favorite “Since I Don’t Have You” by Joseph Rock, James Beaumont, and the Skyliners is added for Sandy, and “All Choked Up” is cut. Let the record show that, in a strange and deplorably misleading move, this was billed as “the Tommy Tune production of Grease!” even though it was directed and choreographed by Tune protégé Jeff Calhoun. — M.P.

Studio Cast, 1994 (JAY) (2 / 5) This recording would be superfluous if not for the participation of John Barrowman, a Scottish-born singing actor who became a star of the London musical stage as a young man but who, as of this writing, has had only two brief stints on Broadway (in Putting It Together and Sunset Boulevard). Barrowman brings his strong, clear, sexy tenor to Danny’s songs and to the ridiculous “Grease” disco number that was written for the movie. The other three song additions to the flick are also included here. As Sandy, Shona Lindsay makes unpleasant sounds when belting at the top of her range. There’s nothing distinctive about the rest of the cast members, some of whom are less successful than others at masking their Brit accents. — M.P.

Broadway Cast, 2007 (Masterworks Broadway) (3 / 5) If one were to make a list of cast recordings that are far more enjoyable in their own right than the shows that yielded them, this one would place pretty high on it. The latest Broadway production to bear the title Grease — this time without the silly exclamation point that was used for the 1994 revisal — had a huge red flag attached to it from the moment it was announced that the leading roles of Danny Zuko and Sandy Dumbrowski would be cast via a TV “reality” series called Grease: You’re the One That I Want! (There’s that exclamation point!) What ended up on stage was not good in terms of Kathleen Marshall’s way-off-base direction or the design elements. For better or (some would say) worse, the song stack included the now almost obligatory numbers that were written for the monster hit film of Grease: the title song, “Hopelessly Devoted to You,” “Sandy,” and yes, “You’re the One That I Want.” Of the two leads chosen by way of that idiotic TV show, only one — Laura Osnes as Sandy — proved to be ideal in every way. Count her among the cast album’s biggest assets. And though Max Crumm was/is not right for Danny in terms of physical type or personality, his vocal performance is thoroughly satisfying. Jenny Powers sounds a little square as Rizzo, but Matthew Saldivar as Kenickie does a great, sexy job with “Greased Lightnin’.” (Note that in this version, for some reason, the chicks scream rather than cream.) Ryan Patrick Binder is appealing in Doody’s “Magic Changes,” and the rest of the cast includes such talents as Stephen R. Buntrock as Teen Angel and Lindsay Mendez in her Broadway debut as Jan. The arrangements and orchestrations (by Christopher Jahnke) are not overblown as on the 1994 recording, and the sound mix is excellent. — M.P.

Television Cast, 2016 (Republic Records) (3 / 5) A new wave of live TV presentations of Broadway musicals began in 2013 with a mostly terrible production of The Sound Of Music, since followed by several others that were not much better. Given that low bar of achievement, the best of the lot by a wide margin was Grease: Live, which aired on January 31, 2016. On the one hand, what millions of viewers saw that night was hugely different from the musical as originally conceived, written, and presented in the early 1970s; a few songs were added that had never been heard in any previous version of the show (or the movie), and the script was heavily revised by Jonathan Tolins and Robert Cary. But Grease: Live was very well done in terms of its production elements and its direction by Thomas Kail (of Broadway’s Hamilton and In The Heights) and Alex Rudzinski. A generally strong cast is headed by Aaron Tveit as Danny and Julianne Hough as Sandy (here given a new surname, “Young”), with Carlos PenaVega as Kenickie, Jordan Fisher as Doody, and Carly Rae Jepsen as Frenchy (handed a new song, “All I Need is an Angel,” by the Broadway team of Tom Kitt and Brian Yorkey). The one weak link is Vanessa Hudgens as Rizzo; her thin voice has a bright timbre that’s wrong for the role, and her phrasing and interpretation of the songs mostly consists of aping Stockard Channing’s renditions in the film. There are also appearances by everyone from Jessie J singing the title song to Boyz II Men as the “Teen Angels” to Joe Jonas and DNCE as “Johnny Casino and the Gamblers.” Both the video and audio versions of this Grease are enjoyable if you’re willing to accept something that only intermittently resembles the property that first bore the title. — M.P.